Most of Feng Zheyuan’s work is formed using the coil-building technique. In his own words, "Once I decided to work on large-scale coiling, I unknowingly adjusted my lifestyle around it. My daily routine revolves around the drying time of the clay, with my foremost concern being whether I can continue coiling. At times, it feels as though I’ve lost a part of myself, existing solely to bring these pieces into being."
